Do artificial beings have moral standing?

Whether a made being can be wronged, and whether using one is a kind of slavery.

Direction Humanlike machines
Span c. 330 BCE–1920
Questions 2
Works 12
Languages Greek, French, English, Czech

  1. Q28Would the capacity to suffer give an artificial being a claim to humane treatment?

    Yes5

    No1

    • 1637Descartes, Discourse on Method

      Argues animals are machines made by God whose actions follow from the disposition of their organs, and that they lack reason and a rational soul.

    Both1

    • Dr Gall adds pain nerves to the Robots only so they will not damage themselves; asked if they will be happier, he says no, only more perfect technically, while Helena's Humanity League campaigns for them.

  2. Q29Would creating an intelligent being give its maker the right to own it?

    Yes3

    • c. 330 BCEAristotle, Politics

      Calls a slave an animated instrument and property, and says that if tools could work of themselves, like the statues of Daedalus, masters would not need slaves.

    • Filmer treats patriarchal dominion as sovereign power, explicitly invoking life-and-death judgment, war and treaty making. The argument concerns paternal rule, not directly the manufacture of an intelligent being.

    • 1886l'Isle-Adam, Tomorrow's Eve

      A fictional Edison builds an artificial woman, Hadaly, and gives her to Lord Ewald as a replacement for the woman he loves.

    No2

    • 1651Hobbes, Leviathan

      Argues a parent's dominion over a child does not derive from having begotten it but from the child's consent.

    • The creature tells Victor 'I ought to be thy Adam', and Victor recognises 'the duties of a creator towards his creature', framing the relation as obligation rather than ownership.

    Both2

    • Argues men are God's property because they are his workmanship, but that human parents do not own children they beget, since children are the workmanship of their maker, the Almighty.

    • Robots are manufactured and sold by a company as products; the play ends with their revolt against their makers.